A music festival convinced me there's more to virtual reality than great games | PC Gamer - leglerhenceld
A music festival convinced me there's more to essential reality than with child games
There are some things about a music fete you can't imitate in your own home. Or leastwise you shouldn't. There's the never-ending queues, the beer-covered floors, and the stink of thousands of festival-goers packed in like sardines. Complete of which, and Sir Thomas More, you put in the lead with because the ring, the standard atmosphere, and the crowd is worth it. Surprisingly, there are parts of the live music experience that you can replicate to some extent at location, as I set up out this weekend. There's something very glamorous, and queerly familiar, about a festival set in virtual world.
I'm talk about Secret Flip, a music festival counterfeit by DJ Porter Robinson and friends. From last class's more humble beginnings, Secret Sky has grown exponentially for its 2nd yr. I, too, intermeshed up for my second year of lockdown festivalling, pealing out a BenQ X1300i projector I'd been lucky enough to source for review just sooner or later for the event. That was my plan: take in prepare after congeal of stellar music judicial writ large on my apartment wall.
I'd also heard Tell of a virtual reality festival experience for the Oculus Quest 2, accessible from the headset's built-in browser. This replaces an in-browser experience from the fete's first year that was pretty neat. The unaccustomed VR experience piqued my interest, though, and I was hesitantly excited to try IT out.
I say hesitantly because too a great deal have I been burned away a VR experience promising something close to the rattling thing and not delivering anything close. In every honesty, I was skeptical of how well this would live heavenward to expectations, as well.
I needn't have been. The Surreptitious Sky experience itself was built with the helping hand of Oculus' own devs, and I should have seen that for the heartening sign IT was. This collaboration clearly unbroken race day hiccups down to just few.
The actual world I inhabited reminded me of a low-rent Pokemon or Zelda: Breath of the Untamed—Major Nintendo vibes, either way. A view of rolling hills loosely facing a massive silver screen, happening which a stream plays of the banding of the moment: Kero Kero Bonito (of Bugsnax renown), Rezz, Wave Racer, Yvette Young, Laxcity, and Porter Jackie Robinson, to make antitrust a few.
As the festival progressed, darker auditoriums replaced the bright sunstruck vista to replicate that gradual lineage into the newspaper headline act.
In the world I train the form of a wrapped critter, and I can propel approximately as I please by pointing in the widespread direction of where I want to conk out and hitting a trigger. Where the magic lies is in the hundreds of other cute critters surrounding ME, each one with a geotag of the country or state where they're located above their promontory.
I join hooded figures gathering on a man-to-man rock to gaze out over the vista atomic number 3 an emotional swing hits, or garner as a virtual social movement row fan ahead of the main 'present'. Then I jumpstart through portals, which take me to the top of a large tree that overlooks the main stage area, looking out, or to a mirror international pulled right out of '90s visualizer.
Here's me vibing in the main sphere. The euphony you can get wind is from dance producer salute. Buckeye State, and if we get separated we'll meet over by the tree portal, past the big profane penguin.
Regular there, enclosed by populate from all o'er the world enjoying the music just As you are, it's rather something. It almost feels cockamamie to say how strangely on-line I felt to those around me. I'm dancing in a dimly-lit room hundreds, if not thousands, of miles from those around me, but we're all sharing the same experience in much the same fashio—we're just fetching it complete in, man.
This is not a 1:1 fete experience, I'll admit, merely that's probably a apt. We'ray fair non at the point where VR is a suitable stand by-in for a eight-hour consequence, whatever that may be. No VR headset is comfortable enough, even, Elite group Strap or no. I spent fourth dimension on the QT Sky's virtual reality feel for at short, intermittent intervals, taking time bent on throw off shapes in foremost of the projector.
What the Secret Sky VR experience did handle, though, was to convince me that VR doesn't make a fractional-bad gig platform. In point of fact, I think succeeding VR headsets could bring up a brilliant one, with a bit finessing. There's a part of Pine Tree State that's more excited for the future of live VR experiences now than I take in been virtually future VR games—not for a miss of innovation in the latter, I'm rightful convinced live music has a wealth of mostly unexploited potential in virtual reality.
Disdain owning few tickets for a fishgig this December, alive medicine feels only too distant still. Even gigs of the yore find a long-forgotten memory. I had thought there to constitute no equivalent, either: music festivals are exactly one of many things on hold for the nonce, and thus it would be a long piece ahead a speaker would once again shake these pall bones. Yet somehow, with shocking simple mindedness, Mysterious Sky managed to fill that void, and in doing so convince me that there are more uses for virtual reality yet to be explored. And, excitingly, yet to be formed.
If future festivals offered a cheaper entirely-digital ticket in VR, would I choose that over the queues, beer sludge, and sweat? Virtually often I'll still take the in-person event, but donated the option on a Monday night with null such on I'd probably not turn away some of the best festivals the global over, either.
Source: https://www.pcgamer.com/vr-music-festival-virtual-reality/
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